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The Stand is one of my inspirations for This Plague of Days
See the review on my Youtube Channel here.
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Sneak Peek: This is not a poem
This is not a poem…exactly. It’s the table of contents to a coming episode of This Plague of Days from Season One.
Here we sit in Death’s Cafe
We are the zombie’s reluctant buffet
The deepest wounds are those unseen
Between what we were and where we’ve been
Be killed or kill in days like these
Pray for God’s mercy or the Red Queen’s disease
Say farewell to your comfortable home
Goodbye to tea, clotted cream and scones
The fruit of war, the wages of sin
You don’t yet know what it will take to win
Or even half of the trouble we’re in
Save your strength for the fight
Use your rage. Defy the night.
(Getting close to finalizing the cover art, hearing back from the last beta team members and getting this bird off the ground.)
New Sample Snippet: This Plague of Days isn’t all grim
Anna turned up the radio, concentrating on the thin signal.
Cat McCloud, the lone DJ, was a fellow with a booming voice that slipped into gravel when he was being serious. He wasn’t serious often. “You want a weather report, look out the window and there’s your goddamn weather report,” he said. “Excuse my Balinese but the FCC don’t run me no more. The Powers That Be always were killjoys, censoring us and suckin’ the good outta you like a bad night’s sleep.”
Cat reported where he’d been — all over the eastern United States. He said he’d ridden out Sutr X’s first wave in a campground in Delaware. “The lights are on in Delaware and there’s still plenty of food and gas around if you bother to look — at least there was three weeks ago. I guess what I got isn’t news ’cause it’s so old, but we all needed to slow down anyways, didn’t we? In honor of what was, let’s spin some more vinyl — that’s right, I said vinyl! Coming up, more Rush ’cause I love ’em and they play long songs so ol’ Cat can step out my door and take a tinkle without worrying about the cops spoiling the joy of peeing out my front door no more!”
“Later on you can lick your chops over some Foghat, Grand Funk Railroad and a Pink Floyd marathon. Far as I know, I got the last radio station in these former United States of Dystopia so I’ll play what I like, long as I’m kickin’ and poppin’ garlic pills and smokin’ the magical herb of happiness! Commercial-free, brothers and sisters! Back atcha after side one of Rush’s album Caress of Steel from a good year, 1975, back when we still thought the apocalypse was coming in the form of nuclear annihilation. Right on!”
Anna looked stricken. “The only radio station we’ve heard in weeks and the DJ’s the last hippie on earth. And he’s armed with a time machine.”
And there are fun pop culture references to make grim situations a little lighter:
The Spencers were joined by more cars on the highway, usually travelling in the same direction. Past the juggernaut of Montreal, they had noticed a trickle of fellow travellers in vehicles. Farther east, the trickles became streams. Traffic moved well and, wary of accidents for which no help would come, no drivers were reckless and, perhaps to conserve fuel, none sped, either. Most drivers made no eye contact so no contact could be invited nor implied.
“This is somewhat more civil than The Road Warrior led me to expect,” Anna said.
The cars and trucks were always packed full. Once they spotted a tiny car with a piano strapped to its roof. Back windows were often filled with bedding, perhaps to block anyone’s view of how many people might be travelling in the car.
They followed a farm truck with a group of young women huddled against the wind in the open back.
“Saviors or slavers?” Anna asked.
Jack shrugged. “I’m uncomfortable with that question. But it makes me think we have to somehow get hold of guns.”
“Papa Spence has a deer rifle and shotguns for pheasant season on the farm,” Theo said.
“Let’s hope we won’t need a gun before we get to Maine.” Anna watched the women in the truck, searching for some sign of a plea in their forlorn faces. Before long, the truck turned onto a dirt road and dust clouded their last look.
Anna gritted her teeth. “If this is going to turn into a misogynist Game of Thrones world, then I’ll have to personally go all Katniss and turn it into a Hunger Games planet.”
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NSFW Horror: A grisly excerpt from This Plague of Days
The Spencers walked into the yellowing sun. Jack hoped the weak heat would dry them and the sunlight might somehow purify them. Though Jack’s breath was soon as heavy as her backpack — she cursed herself for not taking better care of her body — she found fatigue was easier to dismiss in the presence of horror. She wanted to get beyond the block of cars. They had to get beyond this dam of metal and flesh, find a vehicle, and continue to Maine as quickly as possible.
What if Lieutenant Carron found a way to get to the Corners faster? Jack saw herself open the door to the kitchen at the farm, relieved to have finally found a haven. What if the man who had pointed a rifle at her face, at her daughter’s face, waited there, a shotgun now aimed at her midsection? He was so angry, there was no reasoning with a monster. Carron would warm himself by the wood stove. Papa Spence would be dead on the floor at his feet. She wouldn’t have time to plead before he pulled the trigger and cut her in two.
On the road beside them, two seagulls squabbled over ribbons and scraps, staging a tug-of-war over white meat. Despite her promise to avert her eyes, Anna did look. The face was gone. The torn scalp stretched out in the birds’ beaks, a long tangled splay of string across black and red pavement. The long hair suggested to Anna that the thing lying before her, exposed and obscene, had been a woman. A vulture went about its work, its head in the corpse’s ruined belly, ignored the screeching gulls. Intent on its meal, the bird raised its ugly bald head, ratcheting back and forth and up and down, to tear and to swallow.
Anna knew she should turn away but found she could not. The dead woman’s abdomen had bloated and burst in a riotous stench of busy maggots. The bird’s head and neck disappeared into the gore to its hunched shoulders and came up again to tilt its head back to feast again, forcing a large, pink chunk into its gullet.
The girl bent to throw up. The moment she was empty, Anna turned to walk on. “Mom,” she said. “If we ever see Carron again, I’ll kill him right away. I won’t hesitate if I can find a way to do it. He’s a vulture and he wants to turn us into that.”
Her mother trudged forward and said nothing for a long time. Finally, “If you can do it, it won’t be wrong.”
~ I’ve been ill, so I’m playing catch up with revisions. However, things progress. For a more positive life outlook, have you subscribed at www.DecisionToChange.com yet? Or bought a book? Mere suggestions. No! Strong suggestions! If you can do it, it won’t be wrong.
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