Category Archives: the serial

TPOD tickles you to zomgasm & braingasm. #Book #deals at ThisPlagueOfDays.com to get a bonus ebook. #suspense #Top100 #horror

Did you pop in for the book bargains on This Plague of Days? Click here to go straight to those details.

Q & A #7: Five questions from readers answered

1. The last book of the series kind of freaked me out. What’s the message about life and death going on there?

RCC: Aside from all the scary beasties running around, I suppose one theme that emerges is:

Our Existence is brutal, but we have it in us to make the future great.

2. I thought the atheism was preachy in Book 1. By Book 3, you seem to move beyond that. What do you believe?

RCC: Really? Dad is an atheist and Mom is a Christian. When Jack talked about her faith, did you think that was preachy? I think the parentsThis Plague of Days S3 (2) have discussions that come up naturally when you’re constantly facing mortality. Just like a story, in life, we all want to know what happens next, even after we die. Make that, especially after we die. I explore a lot of ideas in This Plague of Days. I leave it to readers to draw their own conclusions. I think I give all the ideas I explore a fair hearing. 

What I believe doesn’t matter, anyway. It’s about what you think as you read. I’m happy to provide stimulation, but if I tell you what side I’m on, somebody will say I’m “preachy.” Instead, consider the last chapter again. There’s optimism, but there’s also a deep questioning of what forces were working against each other. Please, meet me halfway and decide for yourself.

3. When is your next zombie book?

RCC: After TPOD, I’m not sure what’s left for me to say about zombies, at least for a while. My mission is always to do something different and unexpected with all I write. That’s why I consider myself a suspense novelist first. I played with zombies and vampires in TPOD (sort of) but it wouldn’t be fresh if I dragged it out or did more in that world. Never say never, but…no more zombies for now. I do promise all my books will be shorter with a faster pace from here on out. TPOD took years.

4. What book is next?

RCC: I’m committed to three thrillers this year: the autobiographical crime novel, the time travel savant novel and the third instalment of the Hit Man Series. I have plenty of other books in various stages of writing, but I’ve settled on those three next. At least one or two before the end of summer, I hope.

This Plague of Days OMNIBUS (Large)5.  Which of the TPOD Seasons is your favorite?

RCC: #3, easily. Despite the weirdness and Jaimie’s unique point of view, I think Season One starts off in a place closer to what people expect in a disaster novel. I allow the crisis to unfold internationally and went deep into how slowly and how quickly civilization’s fall could occur. Many of the expected elements are there, despite the autistic twist and Jaimie Spencer’s other gifts.

#2, I like for the fast change in pace. People who appreciated the literary depth of Season One got a slap across the face with the evolution of the virus and of species. A few readers are uncomfortable with the paranormal turn Season Two takes, but I hope there’s enough going on and enough cool characters that they’ll hang in for the ride. A couple of reviewers have made the connection to Stephen King’s The Stand in a disparaging way. I can’t think of a higher compliment to my work.

Season Three gets crazy meta, metaphysical and a little psychedelic amid the carnage (and several beta readers said it could stand on its own as a book, with or without Seasons One and Two.) I love where things ended up because I always want to defy expectations. If anybody thought this was “just” a zombie novel, surprise! There’s enough action for lovers of Zompoc but jokes and brain tickles, too.

I love to tickle readers to zomgasm & braingasm.

~ The TPOD bargains continue and I’m back in Amazon’s Top 100 horror authors again. Word must be getting around. Thanks so much to everyone who spread the mind infection.

Want to help out? I’d appreciate it. Please tweet this: 

TPOD tickles you to zomgasm & braingasm.   at  to get a bonus ebook.    

 The details about getting a free ebook from the TPOD OMNIBUS are below this post, here. Thanks so much for reading This Plague of Days.

Season One is now marked down to just 99 cents to start you off on the serial.


This Plague of Days: Editorial team? Assemble!

This Plague of Days, Season 3 is off to the editorial team and I’m really excited!

I’m so pleased with the way the story developed over time. I thought about writing it faster, but it’s a delicate clock and I had to take the time to get the teeth of the gears meshing correctly. I’ve always said with all my fiction that you should expect something different. Genre fiction isn’t just a well of goofiness. I have something to say, dammit!

This book has been years in the writing. One of the things I love, and will miss, about serials is the ongoing contact I’ve had with readers as I write and tweak the manuscript. Your feedback made a huge difference and the readers who connect with me on Facebook have been really helpful.

I wasn’t going to include an epilogue.

Editors and agents (famously) don’t like epilogues. A survey of my readers showed you guys do want an epilogue. You want things wrapped up so I did it in a big way.

In the end, the epilogue added a new dimension and more opportunities for twists and surprises. This sort of feedback simply isn’t possible with a book that’s a one-off. TPOD has a group of readers anxious to see the finale and I promise a big and surprising finish.

Whatever you expected, I’ll ask you to put that aside.

Whatever you’ve read before, this ain’t that. Yes, zombies. Yes, vampires. No, no easy answers and no solutions you’ve seen before. 

Yes, your questions will be answered, though there will be a few you’re going to have to answer yourself. Meet me halfway in the give and take of the experience. 

We’ve added three new beta readers and discovered the bug in production that allowed some typos to slip into Season 1. It wasn’t the editorial folks, but a file management issue. We’re working to fix that as quickly as possible so a corrected volume will go out previous to the release of Season 3 and This Plague of Days, The Complete Series. 

A few people have asked about getting This Plague of Days on other devices.

I’m sticking with Amazon for now. You can read it on any device using the free Amazon reading apps. (Google “free Amazon reading app” to get one for your device, whatever your device.)

I do have books available on other platforms, but it seems Amazon is still the platform that moves my books. Eventually all my books will be available in Nook and Kobo and Barnes and Noble, assuming those platforms are even around next year. (But that’s another topic for another blog.) Suffice to say, if I thought I could sell books on the other platforms, I wouldn’t hesitate, but so far, they haven’t proved themselves.

I had hoped to get This Plague of Days, The Complete Series together in one huge book.

Unfortunately, it’s too big a book for my regular printer to handle. I’m exploring other options but I’m concerned it might be prohibitively expensive unless it’s a limited edition just for collectors and superfans. My main thought was that it should be in one big book for promotional purposes. Fortunately, a friend in the film business has taken an interest in my books. It’s way too early to get excited over a bunch of variables outside my control, but there’s hope that TPOD will find a wider audience through film.

In the meantime, yes, Season 3 will be available in print, too.

When we have a solid publication date, I’ll let you all know. I’m doing all I can to make it all close to perfection. When you board my crazy train, all I want to do is blow you away and melt your brain.

Stay tuned.

~ Follow me on Twitter @rchazzchute and on Facebook here.


Spring is coming. This Plague of Days is coming, too. Just not…quite…yet.

Screen Shot 2014-03-13 at 3.19.38 PM

CLICK THE PICTURE FOR MY LITTLE SLIDESHOW OF DOOM.

Created with Haiku Deck, the free presentation app


This Plague of Days: My top ten favorite moments

Warning: This post has spoilers. If you haven’t read Seasons One and Two of This Plague of Days, DON’T READ THIS!

Okay? Are they out of the room so we can talk? Okay. I hope they aren’t just pretending to be asleep or listening at the top of the stairs, because here are my top ten:

1. When Jaimie hands Theo the knife.

2. The sweetness of Jack and the cookie tin full of love letters.

3. “Kryptonite.”

4. The scene in Iceland where Cameron fights his way through the Sutr-Z infected to try for the rescue boat.

5. The zombie attack on Buckingham Palace while Shiva dances to “We Want Your Soul” (plus the corgi joke.)

6. Douglas Oliver’s battle in the basement.

7. Jaimie meeting with Sinjin-Smythe in the Nexus, among the Shakespearean trees.

8. The Battle of the Brickyard and the hospital attack (a tie for bloody and epic).

9. Dayo shaming Dr. Sinjin-Smythe on the rescue helicopter out of Dungarvan, Ireland.

10. Anna’s shift from being a bratty princess to a mature young woman who sacrifices her love of her boyfriend for her family.

There are many other moments I love, of course. I’m biased, for some reason. Probably because I wrote it. Yeah, that’s probably it. However, these are the first ten scenes that come to mind when I look back on the first two seasons.

What about you?

Care to share your favorite moments? (FYI: Season 3 is still being written and revised, so what you loved from the past might get a callback in the story ahead.)


Movie review: Extinction

My throat is closing up so I lay on the couch and watched another end of the world movie on Netflix called Extinction: The GMO Chronicles. This one’s from Germany and I didn’t recognize any of its stars, but I enjoyed it. It was kind of sprawling (which I liked); had a hint of mystery (that was too quickly solved); the zombies evolved due to GMOs altering genetic codes (loved that); and it treated the audience like adults (which was refreshing.)

The hero, played by Daniel Buder, is a handsome devil who finds he seems immune to the zombie-like apocalypse. A nearby abandoned military base (great set) becomes his fortress. This movie rarely reaches the Omega Man level of creepy (that scared the crap out of me when I was a kid.)

However, they do several things that I like a lot

1. When people die, the grief is not simply shrugged off. They spend some time showing the effects of death on the survivors. Even when the red shirt is unlikable, somebody loved him. It may make the movie too long for its own good, but for real lovers of Apocalyptic fiction, you forgive the length to explore the emotion. At least I did.

2. The story takes place in Europe and they don’t make guns too easy to come by. I think the same would be true in the real Apocalypse anywhere. Guns would be scooped up, prized and hoarded. We are only born with two hands, but when crises arise, no one thinks it’s possible to own enough weapons.

3. Nuclear power plants fail. I address this a little in Season 2, as well. I got the idea from watching the awesome Earth Without People series. We often forget what falls apart quickly without people to control things. For instance, New York’s subways would flood within three days without technicians managing them.

4. I loved the evolution of the zombie species (and if you’ve read Season Two of This Plague of Days, you’ll understand why.)

The makers of genetically modified foods screwed up and the virus is loose. It makes sense to me that the virus’ evolution would continue. Unfortunately, it seems the makers of Extinction blew the budget on the make up on one kick ass, terrifying, no-eyed zombie. After we glimpse the best creature of all, the parkour zombies take over. They’re agile and you see lots of silhouettes, but it suddenly feels like a darker production of the street fight in West Side Story.

5. There was a little hope held out and a hint of the supernatural at work. Mostly it went from “Is it time to commit suicide yet?” to dealing with the threat and conflicts with other survivors under pressure. 

With its limited production budget, Extinction feels like a TV movie and yes, at 110 minutes, it could have been shorter. However, they didn’t fall into the usual traps of zombie fiction and dared for a little more depth. Extra points for trying something more challenging to viewers expectations. Have a look and give it a try.

~ I’m the author of This Plague of Days, Seasons One and Two. I’m working on Season 3 now. Expect it in the spring. It’s a sprawling story, too. 

 


This Plague of Days Fiction Secrets: About Maine

I write a lot about Maine.

Poeticule Bay, Maine shows in up in numerous stories. I have a detailed history of the ugly way the town was formed and a thorough catalogue of its many dangerous inhabitants. However, you won’t find Poeticule Bay on any map. You’ll find plenty of Poeticule stories in Murders Among Dead TreesI have several books at various stages of production that all have references to Poeticule, The Corners and Maine generally. Maybe it’s the steady diet of Stephen King I was weaned on. I’m sure that was an influence. However, for me, Maine isn’t really Maine. I grew up in rural Nova Scotia. It’s about the place and time I grew up. It’s also about my dad. 

Murders+Among+Dead+Trees+1121-1My father is a natural storyteller. On car trips, he’d tell colorful stories and report in detail about outrageous characters he’d known. Fishing trawlers, lumber mills, hunting, the woods? It’s all there, showing up again and again in my work. We didn’t get a lot of TV channels, but we had dad.

He told me the rhyme that shows up in Season One once (about Squirrel Town, Mink Cove and Sandy Cove). The talk was about baseball teams. I didn’t care about sports, but that silly chant stuck in my head forever. He had lots of stories about fights and the time the cook threw the knife and the time his store burned down. In short, he had lots of warnings about stuff I’m glad I didn’t live through. He had a tough life for a long time before it got good.

And he has expressions that are memorable, too:

“You’re jumpin’ around like a fart in a mitten.” 

“That smells so bad, it would drive a dog off a gut wagon.”

“His tongue has a hinge in the middle.”

“She’s got too much of what the cat licks its ass with.”

And you don’t have a cough. “That’s some cough.” 

“Uh-huh. Some cough…”

The advantage of an anxious childhood

Though my family doesn’t have much of the accent, we talk fast, trying to get the words out before someone interrupts us. When I moved away, I found people from Toronto spoke with greater diction, their words formed right behind their front teeth while I machine-gunned from my throat. It took a couple of years for me to slow down enough so my girlfriend could understand me. (She understood me too late, after the love had kicked in and invaded the bone marrow. She’s stuck now. Ha! I win!)

The scenery in Nova Scotia is the same as Maine and we had some interesting accents, too. I don’t have a characteristic Nova Scotian accent and it was never strong, but a few miles outside of my home town in any direction sounds like Anywhere, Appalachia. I remember trying to talk to a guy from the South Mountain (a few miles away). I couldn’t understand him. A farm kid in my class once twanged at me that I was a “city boy”. My “city” at the time was merely 1,200 people, but I couldn’t wait to go where millions of people would ignore me. (Sadly, I found the most sure way to become invisible was to publish my first book. I digress.)

There was dry humor, but a lot of teasing and meanness, too. When a remark was too caustic, the burn was supposed to be eased with the words, “I’m just being honest.” That’s not a salve, of course. It’s salt.

There was the guy down the street who wouldn’t serve a black customer. That racist is a remnant that’s symbolic of my childhood. I was a child in the seventies, but, like a Rod Serling story, the place I lived seemed stuck in 1955 permanently. (That was great at Christmas with Bing singing on the radio and the snow gently blanketing the twinkling Christmas lights. Otherwise? Less than ideal. I’d say it sucked for minorities year round, but we hardly had any and I wouldn’t know how those few felt. Incredibly outnumbered, I imagine.)

School administrators were often tyrants who kept the dated sensibilities of their youth in the ’50s. They had some twisted ideas about fairness, like, “It’s the second punch that starts the fight.” So, in addition to being pricks, they were okay with victims suffering beatings, I guess. They’re probably very grateful to be dead now. (I’m not unpleased about that, either.)

Misogyny, alcoholism, violence or the threat of violence was constant and casual. Homophobia was rampant. Everyone knew everyone else’s business because, though I come from a small town, it’s really a village. When you know everyone that well, you see all the weaknesses an urbanite might successfully hide from strangers. The only escape from gossip and constant judgment is the road out-of-town.

I don’t set out to write a theme in my books. 

I think sitting down to write with a theme or a lesson in mind is pretentious. You find out what your theme is after you’re Pageflex Persona [document: PRS0000039_00004]done writing. It’s squeezed out organically. However, I’ve noticed a commonality. I write wrongs so my characters can right wrongs. They often don’t succeed or, at least, they don’t achieve their goals the way they thought they would. Who does? (Read my novella, The Dangerous Kind, in Murders Among Dead Trees. It’s drenched in this. The conclusion of This Plague of Days is not, I promise, a plucky bunch of gun-lovin’ Rambos goin’ zombie huntin’. In my zombie apocalypse, most of the Rambos died in the first wave of the Sutr flu.)

But one theme emerges in all my work.

No matter what I write, no matter the genre, it’s all about escape. Make that Escape, capital E.

Aside from the depression and anxiety, I was an insufferable little kid because I knew too early on I needed to escape to the city. Pretty much any city would do, but I needed to live far from haystacks and fish. Rural life is not for me. I need urban anonymity. I want to disappear into books, writing them and reading them.

Dad’s still there and loves it. He calls it “God’s Country.” For him, it is.

I go back there a lot, but only in the safe transport of fiction. Playing God is the strongest armour.


This Plague Of Days, Episode 4, Season Two is out! (and why I won’t do this again)

Here’s the truth about reviews:

The happy ones make my day. When someone is unhappy, it drains creative energy a bit. Yeah, that’s right. I said it. I’m human. (God, the shame of that statement!)

Sometimes unhappy reviews and low ratings are a result of a misunderstanding. I’m finding that’s certainly true of This Plague of Days. Some readers love it despite it being a serial.  For a few readers, I’ve found that people have mistaken Episode 2 for Season 2. Then they’re mad at me. That sucks. I want the impossible. I want everyone to be happy.

I usually tell them in a review comment (unless they sound crazy), as gently as I can, that if they’ve bought any book in error, they can return it to Amazon for a refund and all’s well. Mistakes happen but I’ll never know if the bruised reader ever read my helpful comment and went, “Oh, okay.”

That’s one of the reasons I won’t be serializing the third season of This Plague of Days. Despite the reader’s mistaken click, I’m still stuck with a one-star review. We’ve labelled the books and I’ve made a point of warning people to click wisely in the sales description, but there is still confusion. It doesn’t happen often, but I truly am sorry when anyone gets confused or disappointed in their purchase. I’m not out to rip anyone off and the stakes are rather low to try that in this business. That would be like going to the trouble of counterfeiting dimes.

 Still, I wish there were an easier delivery system for serials because I love writing in this format. Well…

Actually, there is a better delivery system.

With Amazon serials, readers pay one low price once and episodes are delivered automatically. Personally, I’d worry that your kindle would update automatically and you wouldn’t be aware of the new arrival, but that question is moot. You see, before I launched This Plague of Days, I contacted Amazon’s  serialization department, somewhere in the bowels of the beast. 

Did I, perchance, mention that Episode 4 of Season 2 is now available for fans of serialization? All of 99 cents now.

Did I, perchance, mention that Episode 4 of Season 2 is now available for fans of serialization? All of 99 cents now.

I made my pitch for This Plague of Days. I wanted them to handle it because I knew they could spread the good word far and wide and make it easier on me. I pressed send and promptly…never heard a thing from them. This isn’t nyaa-nyaa-na-nyaa-nyaa. Sales are brisk with TPOD, but being part of Amazon serials would have been a better reader experience.  

I must admit, the guy who hated Season One and then read and reviewed Season Two anyway? Flummoxes me. He hated Season Two almost as much, but that second read…wasn’t that a self-inflicted wound? And the people who declare they hate serials but bought a serial anyway? Gobsmacked me. I guess it’s the downside of the quick one-click buy. To their credit, some people who hate serials put that aside, gave the story a chance and ended up writing nice reviews anyway. That’s actually pretty cool of them.

Most reviews have been awesome and, each day, I get a boost from the vast majority of reviewers who are so encouraging. They dig my word-jazz and want me to keep going. This isn’t an easy thing and if you’ve been reading along in this space, you know why. I appreciate the kind words. I’m a sucker for “Atta-boy! Atta-boy! Go get the ball!”

Anyone who has read any of my books will not be surprised to find I’m conditioned to expect the worst in any situation. Tonight, I got a request to list TPOD Season Two on Nook. For the foreseeable future, I’m sticking with Amazon because that’s where my books sell. (Though Season One is in paperback and Season Two should be in print, too, just in time for Christmas.)

It’s a measure of the depth of my pessimistic worldview that I expected to be be chided for not being on all sales platforms. Instead, the reader kindly replied that she understood, no hard feelings and she’d read Season Two on her computer. You know how it is when you expect Mom to slap you and you get a hug instead? It felt like that. (I’m assuming. All I remember about my childhood was getting chased with a wooden spoon. And Mom smiled when she had me running into a dead end.)

So, in honor of the vocal minority, you win, I’m sorry, I suck, you’re good. Season Three will be one book. No episodes. No 99 cents weekly. Just, bam! Here’s your story. No serialization of Season Three. Hope you love it. By the time most people are reading the third season, that’s a pretty clear signal they’re all in by now, anyway.

I don’t regret serializing Season One, though.

The reason I don’t regret the first serialization is, This Plague of Days would never have taken off if I hadn’t serialized it. Obviously Amazon Serials didn’t have much hope for me as an investment, but it worked out. Those readers who loved Season One but got annoyed (or downright pissed off) because they mistakenly thought the episodes were seasons? They probably wouldn’t have discovered the story they liked (or as cheaply) if I hadn’t launched the book as a serial. They simply would not have seen my signal flare.

Yes, serialization is more expensive to the author and more demanding of the reader. Yes, it’s damned clumsy. But it can also work as a tool of discovery. That’s crucial to get a book noticed in a sea of offerings. Readers think it’s hard to find a book to enjoy? Wow, is it ever hard to write and publish a book and get anyone to give it a chance.

Anyway, I hope you understand the choice. And now, in keeping with my worldview, I shall sit back and await the outraged emails. It’s true, you’ll get a lot less of Kit Foster’s awesome cover art this way.* It’s a no-win sitch, ain’t it?

 

*Oh, and just wait until you see the cover of Episode 5 next week! It’s so creepy! Kit’s a genius!)

A bit of research: The Prepper's Pocket guide, 101 Easy Things You Can Do To Ready Your Home for a Disaster by Bernie Carr.

A bit of research: The Prepper’s Pocket guide, 101 Easy Things You Can Do To Ready Your Home for a Disaster by Bernie Carr.

 


This Plague of Days: About Season Three’s End (No spoilers)

Just got the 51st review of TPOD Season One and the 14th review of Season Two!

Now I’ll now type something that you see in print sometimes but you never hear it in person: “Huzzah!” (Well, maybe Mr. Burns, once.)

One of the fun things in happy reviews is the number of readers anxious to find out what happens in Season Three. Me, too! However, today was a low energy day. I get these sometimes. Too much gluten, not enough sleep, mood swings and headaches and the rising urge to strangle people with sheep guts.

We all have those murder by haggis days, right? I slept. I puttered. I met She Who Must Be Obeyed for lunch to review our strategies for taking down the Establishment. Then…

I wrote the broad strokes of the end of Season 3 today!

808 words, so far. It’s the final scene. I had general ideas about what it would look like. I knew what would happen to Shiva, Adam Wiggins AKA Misericordia, Jaimie Spencer and his family. I’m about 35,000 words into the beginning and this scene gives me a place to navigate toward.

No spoilers, but I’ll say this: The climax is heroic and unexpected and operatic. Questions are answered and answers are questioned. It leaves on a note that’s equal parts hope and despair, victory and defeat. At the last word, the reader will be called upon to make a decision for themselves.

I’m very happy with who survives. I’m less happy about who does not. I tell lies to tell the truth, but I promise, I’ll stick to the honesty in the subtext. I’m tracking the story and I’ll follow where it leads and I will not allow anyone to finish this book with a dry eye. You may even be inspired.

That’s a lot of smack I’m talking for a zombie book, so I better write a book worthy of Jaimie, which also lives up to my aspirations. 

Since there’s lots of daylight left, maybe I can salvage this day and make it more productive. I have to attend to a suicide in Queens. A young man named Romeo Basilon is in big, Shakespearian  trouble. But don’t worry about him too much. He’s in another book I’m working on right now.

I should also mention that if you’re into dark, prose poetry with a cynical flair, you could try this short read. It’s 99 cents. It’s weird, but there’s some fun to be had in there.

braingasm cover

 


Episode 3 of This Plague of Days looks like this (plus sneak peaks)

First, a thank you

Hi everyone! A few quick things to let you in on!

Season One of This Plague of Days just got its 50th review and I want to thank everyone who took the time to purchase, read and review TPOD! I appreciate every review. Well, let’s be real. I appreciate almost every review. 🙂 Here, I’m talking to the club. You’re probably only reading this if you get my flavor of chocolate neuro-fudge. There are always a few who don’t get it. That’s okay. I wish them well finding something they do enjoy, assuming they have the capacity for joy. (Ooh! That was uncalled for.)

Fifty reviews! Wow! That’s by far the most reviews I’ve had on any of my books. Also, to be real, I got a lump in my throat this morning. To write books that stirs something in people is the most any writer could hope for and I’m sincerely grateful I’ve dug the screwdriver into the pleasure center at the right angle this time.

Soon I’ll return to an office I worked in fourteen years ago.

A friend asked if i was okay with that, given that I closed my practice two years ago so I could write full time. I said yes, I’m okay with that, but only because of of you and the success of This Plague of Days. Without my readers, I’d be going back feeling like a failure. Instead, I’m optimistic. I’m finding my audience and my audience is finding me. If that takes more time, it’s worth the wait.

It’s corny, I know, but you are helping me fulfill the dreams I had when I was six years old. Sincerely, thank you so much for reading my books and digging my sour worldview for entertainment purposes.

Next, so there’s no confusion over Episode 3

If you’re reading Season 2 as a serial, the cover below is what the latest episode looks like.

(Please note, this is Episode 3, NOT Season 3. That comes out next spring.)

I know most people get the difference between episodes and seasons and I’ve been careful to explicate. Still, I know there is some confusion about serialization. If anyone clicks the wrong episode, Amazon is great about returns and refunds. The great thing is, I now notice more readers are letting go of reading episodes and are just clicking on the full seasons.

However you want to eat the chocolate neuro-fudge, it’s warm as blood and waiting. Thanks!

This Plague of Days 2 E3 0918

About the Season One paperback

I’ve had quite  a few requests from folks who want to read This Plague of Days in paperback. I appreciate that and thank you for your patience. I’ve had a bit of a sticky wicket and a bad road in getting the book formatted correctly. However, I think I got past the last road of wickets Sunday morning. I’m waiting for approval from the printer for the paperback of Season One. It’s not available yet, but soon! While you wait, here’s what Season One‘s paperback cover looks like:

Kit Foster of KitFosterDesign.com is my graphic designer. Nice and talented in one package. If you need a web banner or a cover, check out Kit's work.

Kit Foster of KitFosterDesign.com is my graphic designer. Nice and talented in one package. If you need a web banner or a cover, check out Kit’s work.

And then there’s this:

Kit’s work doesn’t stop with great book covers. He also supplied me with great artwork for my new business. I’m starting November 4 and just getting things pulled together and sorted out. If you ever wonder why I don’t already have the paperbacks lined up and out there, there’s a distinct lack of interns and staff around here and my family refuses to wear the Oompa Loompa outfits. 

This Plague of Days Seasons One and Two are bestsellers, but no, I’m absolutely not in the plus column yet. I took two years off work to set up Ex Parte Press and I need to supplement my income to take the firm to the next level. I’m not quitting writing. I’m adding enterprises so I can fund book promotion efforts and let the kids have lunches and suppers again. I based this economical measure knowing that, since breakfast is the most important meal of the day, we’d save a lot of cash nixing the other two meals. I’m also playing the lottery wicked hard and I assume that ploy always works out, right?

Here’s my new website and practice, if you’re curious. 

(Unless you live in Other London, it won’t do you a damn bit of good unless I contact you psychically.) 

For other books of suspense, there are more options.

If you liked TPOD, try Murders Among Dead Trees, for instance.

To buy more books by me, check the right sidebar for affiliate links at  AllThatChazz.com. Thanks again!


This Plague of Days: How long does it take to destroy the world? (Q & A Part 5)

If you’re out to destroy the world, it starts with trying to save it. Right now, frozen in the refrigerated vaults, are enough nerve toxins, viruses and bacilli to kill us all and make way for the rise of the insects. We keep this stuff around for research purposes, or in some cases, nefarious purposes. We hope they (whoever “they” are) have that stuff locked down, just like the brainiacs and experts were so sure Fukishima would be safe forever.

But we know concrete doesn’t hold forever. If it did, nuclear waste disposal wouldn’t be such a worry. Terrorists are mostly idiots, but with the explosion of earth’s population, we slowly get more geniuses and a few will be evil geniuses. Even if you trust your government, do you trust the construction specs on a biological weapons vault in Pakistan, India, Russia or insert your choice of any nation here?

Mistakes happen. Back up systems fail, as they did in Three Mile Island, Fukishima and Chernobyl and 9/11. Involve a human, and eventually something will mess up. Entropy is a law and it is certain. The Way of Things always wins.

Not scared yet? If you aren’t concerned, my friends and fiends, I don’t understand why not.

How long did it take you to destroy the world, Chazz?

A few seconds of a few mistakes lined up in a row and viruses will eat us from the inside, rotting out. But writing it? Writing takes longer.

I wrote the first incarnation of This Plague of Days working three or four hours a day over ten or eleven months, falling mostly in 2010. The second draft took another four months and getting Season One and Two prepped for publication added another three months or so. It started out as such a contemplative novel. When I decided that could never sell, I made it less Canadian.

I had planned to write another crime novel instead of This Plague of Days. Deeper Than Jesus will be my third novel about my luckless Cuban hit man, Jesus Diaz. However, when I realized I was writing a funny, dark, kick-ass story in a low-demand genre, I went back to killer viruses and confronting mortality. Running out of time and money before I had to return to my old job, I was determined to write something somebody would really care about. The people who love Jesus (Diaz) love him a lot, but there aren’t enough of them yet.

I love writing full-time. I’ve had a very productive two years devoted exclusively to writing and podcasts.

My new business should still allow me writing time. I’m determined to make my new schedule work. In a few weeks, I’ll be back working in the same office I worked in fourteen years ago. In some ways, it feels like moving backwards, but I’ve got kids. We do what we must and, though physically taxing, it’s not a bad job (more on that another time). 

This Plague of Days is really taking off and I’ve sold more books in the last ten days than I’ve sold in two years. (Thank you, Plague lovers!) That sounds great, but I have to make up for two years of not working at all and never getting ahead. I’m not complaining, but I am being real. I have many more books to write. To do that, I have to keep the lights on. Most writers have day jobs and I’m thankful for my opportunities. Without the specific skill sets I have, I don’t know what I’d do for a living. I’m otherwise unemployable, chronically underemployed and I’ve got way too much sass in me to endure a boss (or for them to tolerate me.) I pretty much have to work for myself. While the control freak in me insists on excellence and piece work, the real world keeps sending me bills for the Internet connection.

This next evolution is going to be an interesting experiment. 

Just like what I did with my Cuban hit man and with zombies, I’m taking a familiar model and doing something new and different with it. It’s exciting and stressful and draining and energizing, depending on the time of day and what I’m thinking about.

We do what we have to do, but whatever you do, please keep the creativity in.

Find ways to make it interesting and fun. If you work on the line, sing. If you’re on the drive-through window wearing a hairnet, be funny and entertain co-workers and customers alike. If you can’t lose the job but your boss insists you be a drone, act the part. Play the role. The boss will never know you’re giving him respect ironically. Be the robot on the outside. Inside your skull no one owns you. Inside, we are all free.

We are sharks. We move forward or we die. Don’t die. I need the readers.

~ I am Robert Chazz Chute. Check out my podcasts and buy the books at AllThatChazz.com. Episode 2 of Season 2 drops Monday, or just get Season One and Two and bang, you’re watching the end of the world through an autistic boy’s eyes.


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