CLICK THE PICTURE FOR MY LITTLE SLIDESHOW OF DOOM.
Created with Haiku Deck, the free presentation app
CLICK THE PICTURE FOR MY LITTLE SLIDESHOW OF DOOM.
Created with Haiku Deck, the free presentation app
I’m so pleased with the way the story developed over time. I thought about writing it faster, but it’s a delicate clock and I had to take the time to get the teeth of the gears meshing correctly. I’ve always said with all my fiction that you should expect something different. Genre fiction isn’t just a well of goofiness. I have something to say, dammit!
This book has been years in the writing. One of the things I love, and will miss, about serials is the ongoing contact I’ve had with readers as I write and tweak the manuscript. Your feedback made a huge difference and the readers who connect with me on Facebook have been really helpful.
Editors and agents (famously) don’t like epilogues. A survey of my readers showed you guys do want an epilogue. You want things wrapped up so I did it in a big way.
In the end, the epilogue added a new dimension and more opportunities for twists and surprises. This sort of feedback simply isn’t possible with a book that’s a one-off. TPOD has a group of readers anxious to see the finale and I promise a big and surprising finish.
Whatever you’ve read before, this ain’t that. Yes, zombies. Yes, vampires. No, no easy answers and no solutions you’ve seen before.
Yes, your questions will be answered, though there will be a few you’re going to have to answer yourself. Meet me halfway in the give and take of the experience.
We’ve added three new beta readers and discovered the bug in production that allowed some typos to slip into Season 1. It wasn’t the editorial folks, but a file management issue. We’re working to fix that as quickly as possible so a corrected volume will go out previous to the release of Season 3 and This Plague of Days, The Complete Series.
I’m sticking with Amazon for now. You can read it on any device using the free Amazon reading apps. (Google “free Amazon reading app” to get one for your device, whatever your device.)
I do have books available on other platforms, but it seems Amazon is still the platform that moves my books. Eventually all my books will be available in Nook and Kobo and Barnes and Noble, assuming those platforms are even around next year. (But that’s another topic for another blog.) Suffice to say, if I thought I could sell books on the other platforms, I wouldn’t hesitate, but so far, they haven’t proved themselves.
Unfortunately, it’s too big a book for my regular printer to handle. I’m exploring other options but I’m concerned it might be prohibitively expensive unless it’s a limited edition just for collectors and superfans. My main thought was that it should be in one big book for promotional purposes. Fortunately, a friend in the film business has taken an interest in my books. It’s way too early to get excited over a bunch of variables outside my control, but there’s hope that TPOD will find a wider audience through film.
When we have a solid publication date, I’ll let you all know. I’m doing all I can to make it all close to perfection. When you board my crazy train, all I want to do is blow you away and melt your brain.
~ Follow me on Twitter @rchazzchute and on Facebook here.
I posted this on Facebook tonight:
Proofing Season 3 of This Plague of Days tonight, I realized something new about the book. That secret I’ve teased? Yeah, about that:
Some people are really going to HATE me for it. Fans will give me credit for the magic trick, but…wow…as I was reading along tonight I kind of finally understood the scope of the lunatic gamble. But this business, and art, isn’t for sissies.
I should also say, we’re too far along in the editorial process to add names, so the contest to discover the secret of This Plague of Days is closed. Sorry nobody got it, but thanks for playing and, as a consolation prize to take home, some lucky readers will be receiving their names in the book, anyway.
And no, I’m not telling you the secret now and no, please don’t ask for inclusion in the book. All the characters are named and I can’t create more characters to kill. The book’s already plenty long and I’ve already killed so many!
I thank you in advance for your understanding. About all of it.
I’ve recruited several new volunteers to our beta reading team and the book is coming along nicely. Shooting the manuscript over to our editorial aces in a few days. I’ll announce a firm date soonish, but you can expect the finale to This Plague of Days in early June. (And by the way, yes, that’s still spring. I checked.)
Thank you for your patience a I work furiously to deliver you a really kick-ass book. More to come, soon! Really!
As I work on This Plague of Days, I’m very aware that many readers are waiting (mostly patiently) for me to hurry up and finish the third and final season.
You’ve been generous with your reviews and, gosh darn it, everybody’s so nice! If you’ve read Season One and Two, you know this trip has evolved from Kansas City, Missouri to big weirdness across continents and scary strangeness through the mindscape.
There’s plenty of violence and suspense in this war for the future, plus Latin proverbs. (I know! Crazy and crazed!) My zombie apocalypse continues to evolve. Yes, we’ve had forays into fearful dreams, but the battles to come happen in the our world. I promise plenty of surprises, twists and, best of all, more of Jaimie Spencer’s view of the world.
You can find out on Wattpad now. (Wattpad is a free fiction sharing platform where you can read all sorts of interesting stuff. Please do check it out.)
If you’re looking for more free me, I have even more good news. As I write this, you can grab a complimentary download of Murders Among Dead Trees. This creepy short story collection of psychological horror, reeking of “intense violence and bizarre themes” is free to download on March 6 and March 7, 2014 (today and tomorrow, guys!)
Please download Murders Among Dead Trees. If you like it, love it or maybe want to fondle it, don’t hold back on leaving a review. Enjoy! Thank you!
What happened to the utopian visions of Gene Roddenberry’s Star Trek? His future eliminated poverty while the remakes by JJ Abrams are about fighting terrorism. It’s a fascinating question well explored on the C-Realm Podcast, though my answer is, by necessity, going to sound a tad grumpy.
I think of myself as a suspense writer first, but zombies and vampires are generally thought of as horror and post-apocalyptic books are classified under science fiction on Amazon. Call it science fantasy if you want, but the story crawls into paranormal and supernatural, too, so it’s Genre-of-the-Moment Slugfest.
Are zombies a hipster fad of which we should be ashamed? Can’t sci-fi lead the way as a predictor of glittering tech advances instead of dwelling on how we’re all going to die long before each person on Earth gets their very own sex robot?
Every cynic thinks he or she is a realist, but first, I want to back up and say that Roddenberry’s visions weren’t always so rosy. I think the stories on Star Trek that succeeded for me were the war stories. Humans versus Klingons and The Wrath of Khan (the story itself the death of a utopian dream) held my attention. However, it’s probably true that the franchise got darker and grittier after Roddenberry’s death. Deep Space Nine had some of the Enterprise’s nifty IKEA furniture, but the quarters were more cramped and the lighting less cheery.
That said, I see what they’re saying on C-Realm. They credit Blade Runner as a leader in dystopian visions, at least in film. That’s a far cry from the gee whiz optimism of many sci-fi writers from decades past. We all need a little more Spider Robinson in our lives.
In the ’70s we had Omni magazine trumpeting the hope for the future of science and science fiction. For instance, they featured a graphic artist who created stunning spacescapes. It was truly beautiful art that only actual images from the Hubble telescope could replace. It was the artist’s policy never to paint any picture in which two spaceships engaged in battle. That’s admirable, yes, but it kind of sucks the dramatic potential out of a lot of fiction, kind of like taking the visual majesty and volleys of flaming arrows out of the battle scenes in Akira Kurosawa’s Ran, and asking, can’t we all just get along and make this a cozy comedy of manners? Is that beheading with all the blood spray on the wall really necessary?
Optimistic visions of the future in fiction make me think of Paul and Linda McCartney asking Weird Al Yankovic to refrain from a making a cover of Live and Let Die. Weird Al did not release Chicken Pot Pie out of respect for the former Beatle’s wishes. Longtime vegetarians, Paul and Linda worried a comedic song would worsen the commercial slaughter of chickens. It probably would have. Thinking about it makes me want a chicken pot pie right now. I also think Weird Al’s song would have been awesome.
The C-Realm host and guest offered the movie Her as an antidote to our dour visions of the future. There is something very alluring about a story that cranks up Iron Man‘s personal digital companion, J.A.R.V.I.S., to Level Scarlett Johansson Sexy. (J.A.R.V.I.S. stands for Just a Rather Very Intelligent System, by the way. Siri would have been cooler if Apple had called it J.A.R.V.I.S., though Siri has yet to live up to the J.A.R.V.I.S standard of service, reporting on my armour’s structural integrity and whatnot.) Actually, Iron Man’s inventions (as long as they don’t fall into the wrong hands) might be the most optimistic vision of the future you’ll see on screen this year, besides Her.
The darkness in our fiction lies not in our stars but in ourselves.
We write from the heart, or at least I do. A future where we’re overrun by a world flu pandemic is actually considered long overdue by virologists. (Could happen next week. Pack a linch and wear a sweater.) My zombies aren’t real zombies and my vampires aren’t real vampires. They are humans infected with a virus that changes their physiology. There are supernatural elements in This Plague of Days, but once you’re dead, you don’t get up again in the world I’ve built. It looks a lot like our world.
Some of the events go from creepy to downright grisly. There are also jokes. I even include a few optimistic touches toward the end. However, I am allergic to Happily Ever After. I promise a satisfying ending and resolutions you don’t expect, but Happily Ever After often seems too pat and easy to me.
My vision for the future springs from what I see now, not what could be if we really believe and clap our hands. If George Orwell hadn’t already written 1984, I’d attempt to write that. Drones, surveillance and the NSA cracking everyone’s porn privacy? That’s a dream straight out of an adolescent Big Brother’s wet bed. Because I’ve mentioned them and they’re always googling vainly, say hello! Hi, NSA! (Waves.) Just a writer spouting on the state of science fiction and the future. Nothing to see here. Move along to checking up on the sex lives of your former girlfriends and boyfriends from high school! Thank you! Also, please go catch a real terrorist with a suitcase dirty bomb. Aces.
I was promised jet packs when I was as kid (a fixation that’s shared widely, I think, since it’s also mentioned on C-Realm.) I’m still disappointed about that. No…bitter is the word. And yes, all the endless toil minus robots is a downer.
When we see the space shuttle in the promo reel before the movie trailers? I always think, We don’t even make those anymore! There is no Omni magazine heralding gee-whiz hope and they plan to shut Hubble down! And a trip to Mars? Sounds like a stupid suicide mission to me, especially when we could solve a lot of world problems with the money we’d waste on going to the red planet. (Think of Mars as the worst parts of Arizona, but without oxygen. To be fair, at least Mars doesn’t go out of its way to try to suppress gay rights, so there’s that.)
If my fiction appears cynical, all I can say is it comes from an honest place. Dark visions are the logical extensions of my worldview. Ideas about a cheery, brighter future would be a nice diversion and uplifting to be sure. However, I’m more interested in drama rising from conflicts I observe in the present. There’s something about those cheery futures which reek of white privilege to me. I’m not going hungry and I’ve got a cell phone (made by slaves) so why can’t we envision a future that amps up all that gee-whiz hope?
Because it doesn’t feel real, that’s why. Because we’re still stuck in stupid wars. Because the logical extension of now is more darkness. My fiction is dark because, as a person of conscience who listens to Democracy Now a lot, my worldview really is that dark.
But the price at which that hope is bought — in both human lives and sacrifice — is very high indeed. I guess it sounds silly to talk about verisimilitude in a story about an autistic boy versus zombies versus vampires. But every emotion and conflict within the Spencer family at the end of the world feels very real to me. Joy, redemption, love, hope and loss is all there. I think of it as To Kill a Mockingbird, but with more zombies and even more child endangerment. For a zombie apocalypse, there’s a startling lack of gunfire in This Plague of Days. I think there are plenty of apocalyptic books that read like Rambo married an army manual and I attempt to do something different with all my fiction.
This Plague of Days is silly, escapist fiction (for the thinking reader with a conscience, I hope)…but I write it real.
I write what I see. And I concede, I do wish I could be more hopeful.
~ Season Three, and the conclusion of This Plague of Days by Robert Chazz Chute hits Spring 2014. Catch up on Season One and Two here.
Wow. What a week. As I approach the last chapters of This Plague of Days, I’m struggling with it. It’s not that the writing is hard. Tarring roofs and digging ditches and living in Canada in winter is hard. I’m struggling with time management, for sure, yes. (Also, winter in Canada.) But mostly, I’m really going to hate ending this story. I have other books to write, of course, but This Plague of Days is my most successful book and it’s a fun world to play in. A little paranormal activity and a pinch of Anything Goes is fun.
Expectations are high. One reviewer wondered how (if?) I was going to pull it all together. I always promise big reversals, but there are scenes toward the end of the series that will challenge readers. The subtext challenges readers to think. A particularly horrific scene might make them want to close the book. Another plot point is so over-the-top crazy, you might think I’ve smoked Douglas Adams’ ashes. And then there’s that pesky, Way of Things. Is that the God in the Machine? Is God really pulling the levers? Or is the Machine set on automatic, devoid of the divine except for the meaning we give our lives?
Let’s just say, that, yeah I can and will pull it all together. The book has been in the making a long time. I don’t have graphs and pie charts and a wall of cork boards upon which a thousand little index cards are tacked. But I’ve got it all in my head and I’ll deliver. We’re very close to finishing another revision.
One extremely brief review I got this week opined that the story arc that started with zombies had gone to vampires and…well…sigh. Frowny face. Um…was it the credibility and literary gravitas of zombies that was lost when another Sutr strain made the scary Alphas? Alas. It’s okay. My brand of whimsy isn’t for everybody, but I think if you’ll come into my Goofy Latin and Twisted Weirdness Tent, you still could have a pretty good time.
Someone else mentioned that Jaimie changes in Season 2. Yes. His character and abilities do grow. Despite being on the autism spectrum, he can interact with others somewhat easier, though his selective mutism is still a problem, he’s subvocalizing a bit and flashes of telepathy are helping things along. However, rest assured, Jaimie Spencer isn’t going to win the door prize at your local Toastmasters meeting anytime soon. He’s still a mystery to most people around him. Another reviewer dinged me for indulging in talk of auras more than twice. Several people wanted more of that.
This is why I have to write to please myself first. The editor and beta readers will tell me if I’m on the right track or not, but let’s face it: I’m going to go crazy my way and hope you love it. My betas help me immensely, but as for the course I set through Crazy Town? Writing is not a democracy. I’m a guy alone in a room with a keyboard. I can’t guess what you’ll like, but I know what I love. So it is with all writers. (One of the joys of publishing TPOD as a serial is answering the few outlying critics. I took their concerns into account and answered them pointedly. It’s a source of some of the jokes in the text. The winks and chuckles aren’t too inside baseball. You’ll all be in on the joke.)
That said, when This Plague of Days, Season 3 comes out, everybody gets a kick at my autocratic, authorial can, of course. Be gentle. I’m a crier.
Little Aasa, the elder of the Vermer girls, gets a bigger role in Season 3. As more people die, the world is waking up to a new interconnectivity. Without the white noise of so many minds, we can hear each other’s thoughts better. Those flashes of insight everyone gets occasionally? It turns out, if you commit mass genocide and billions die, it turns up the volume and tunes the frequency. So…I guess all that grim death and destruction was worth it if we don’t have to pay for wi-fi.
When the plagues strike us down, if there are any survivors, we’ll send pictures of our cats with our minds. Sweet!
~ FYI: My next book is mostly written. The title is chosen and the fuse is lit. I just have to revise it, take out 1,000 profane words and revise again. It’s thick, but more “literary” (whatever that means to you) and not nearly so complicated as This Plague of Days. It will be relaxing not to have armies of characters to kill off.
The next narrative is more character-based and not nearly as complicated as directing a vast story across continents. It’s about a young man living in poverty in New York. He wants to be a movie star. He might get to be that, but only if the murderer doesn’t get him and if he can put on a high school production of Romeo and Juliet. (Long story) There are drugs, suicide and his mom’s gone missing so…wait…I guess it does get pretty complex. Stay tuned.
I think if I write a chapter a day for two weeks straight, this revision of This Plague of Days will be done with a new ending. There will be tweaks and another run-through or two, of course, but we’re definitely getting there. Work continues apace.
Oh, and plaguers will be glad to know a romance blooms, old friends return from the tent city and, weirdly, there are a lot of fish in Season 3. (Don’t worry. It works. It’s creepy and disturbing and teetering on the precipice of disgusting, but it works.) We also find out precisely what The Way of Things is.
If I had to characterize the conclusion of TPOD, I’d say it’s blood lust versus altruism. I do not promise a Happily Ever After. I promise a satisfying ending. You were patient, so it doesn’t end with a cliffhanger…not exactly. :)
The secret hidden away in TPOD is…still safe.
Warning: This post has spoilers. If you haven’t read Seasons One and Two of This Plague of Days, DON’T READ THIS!
Okay? Are they out of the room so we can talk? Okay. I hope they aren’t just pretending to be asleep or listening at the top of the stairs, because here are my top ten:
1. When Jaimie hands Theo the knife.
2. The sweetness of Jack and the cookie tin full of love letters.
4. The scene in Iceland where Cameron fights his way through the Sutr-Z infected to try for the rescue boat.
5. The zombie attack on Buckingham Palace while Shiva dances to “We Want Your Soul” (plus the corgi joke.)
6. Douglas Oliver’s battle in the basement.
7. Jaimie meeting with Sinjin-Smythe in the Nexus, among the Shakespearean trees.
8. The Battle of the Brickyard and the hospital attack (a tie for bloody and epic).
9. Dayo shaming Dr. Sinjin-Smythe on the rescue helicopter out of Dungarvan, Ireland.
10. Anna’s shift from being a bratty princess to a mature young woman who sacrifices her love of her boyfriend for her family.
There are many other moments I love, of course. I’m biased, for some reason. Probably because I wrote it. Yeah, that’s probably it. However, these are the first ten scenes that come to mind when I look back on the first two seasons.
Care to share your favorite moments? (FYI: Season 3 is still being written and revised, so what you loved from the past might get a callback in the story ahead.)
It’s past time I write something about autism as it’s presented in This Plague of Days. I’ve heard from happy readers who are related to people with autism or who have developmental issues. They all love the protagonist, Jaimie Spencer, because he’s on the autism spectrum. Later on in the story, Jaimie makes some very normal and logical yet scary choices. I hope readers will still love him when they see some of the things he’ll ultimately be responsible for.
Deep down, This Plague of Days is a little like all my books. Good versus evil doesn’t interest me. The choices are too stark. But Bad versus Evil? Complex motivations where the good isn’t all good and the bad isn’t all bad…or at least well-intentioned and understandable? Yes, that interests me very much. So far, readers agree and thank you very much if you’ve bought, dug and left a happy review for This Plague of Days.
As I write and revise Season 3, the world is getting darker. Season 3 answers the questions posed all the way back from Season One. One of the mysteries of the series* is Jamie Spencer. He’s a selective mute on the autistic spectrum. That surely makes him an unlikely champion in the apocalypse and unique in the genre. However, he’d be unique if this were a simple family drama.
The key thing to know about anyone on the spectrum is this:
When you’ve met one autistic person, you’ve met one autistic person.
Everyone is different and autism affects each person differently. Some are extremely visual thinkers. Many are very high-functioning people and the list of well-known people on the spectrum might astonish you (click here for that). There’s much speculation that some of the greatest thinkers and inventors in history were autistic. Though never diagnosed, Tesla, certainly, comes to mind. (Love Tesla and you’ll learn why if you click this link, but I digress.)
When asked, I tell readers that Jaimie has Aspergers with some interesting variations, like selective mutism and synaesthesia. He’s unique, as all people are.
The term “Aspergers” has fallen out of favor in professional circles. That may be a great thing. I’m not sure. Mere labels can’t help the individual, but sometimes they help others understand people on the autistic spectrum. Generally, many people would recognize stereotypical Aspergers traits in someone like Dr. Sheldon Cooper of The Big Bang Theory. The show’s producers have stated on many occasions they are not holding the comical character up as the poster boy for autism and he doesn’t represent any group.
I don’t want anyone to think Jaimie represents such a vast and varied community, either. He’s a fictional character who’s delving into deep matters of religion, mortality and immortality while dealing with people infected with three varieties of a deadly plague. His family unit and their problems relating to each other provides a realistic context and special challenges at the end of the world as we know it. He’s a wonderful character to write and he adds layers and depth to what otherwise be a pretty silly story. Jaimie’s point of view makes humans versus zombies versus vampires work.
I could catalogue the artistic reasons to do so, but the short answer is, why the hell not? He’s a person first. The way his brain works is peculiar, but secondary. Despite how different he is, I (and many readers) connect with Jaimie Spencer emotionally, not as a mere intellectual curiosity. Jaimie’s a genius, but he’s no freak.
At one end of the spectrum, autistics don’t develop language skills. With his special interest in words and their origins, especially in Latin, Jaimie does not lack language skills. In fact, selective mutism has nothing to do with autism. Fans of The Big Bang Theory will recognize the problem as an anxiety disorder (which, until recently, afflicted the character of Raj on the show.)
However, on a couple of occasions, I admit that I do indeed tackle issues around autism. It would be weird if I didn’t address those natural consequences, wouldn’t it? It’s tricky, in that autism is another obstacle in the family’s struggles at the end of civilization, but the story is not all about autism.
We learn about Jaimie through his actions and we see how he sees the world. Anna Spencer relates to Jaimie in a very natural way. She’s protective of him when outsiders are involved, but within the family, it’s all sibling rivalry and older sister irritation at a little brother. There’s friction there as there is in many families. I purposely avoided Anna being too precious with him. Of all the people in Jamie’s world, Anna is the one who most treats him as if he’s not unusual.
Before the plague struck, Jaimie’s mother, Jacqueline (Jack) Spencer, struggled with the school and medical systems to get help for her son. She often wishes Jaimie was not on the spectrum. Meanwhile, Theo Spencer, Jaimie’s father, almost seems in denial. While Jack wishes her son were different, Theo accepts Jaimie as he is rather than fixating on changing him. The parents aren’t on the same page and one’s a complex atheist while the other’s faith is hard to hold on to in the face of so much horror. More fun family dynamics to mine there.
As we progress through This Plague of Days, you’ll find that Jaimie is changing. He’s getting wiser and, to survive, he has to learn how to lie. He’s discovering the new world’s secrets. In Season 3, Jaimie is much different from when we first met him. Travelling the road in the apocalypse will do that to anyone, but I don’t find he’s any less likeable. He’s just more complex and less sure of himself. The challenges ahead are too difficult for him to resist transformation.
In the third season, this officially becomes a series, not a serial. This Plague of Days will be sold as a trilogy in one complete book (This Plague of Days, The Complete Trilogy) assuming CreateSpace can handle printing a book that big. It will also be sold as Season 3 in paper so, if you got 1 and 2 in paperback, you’ll have a third to round out the collection on your shelf. Finally, of course, I’ll put it out as an ebook this spring. After that, I’ll be peddling it to Hollywood for a movie, I suppose. Or make it a graphic novel. Or get it on HBO with Alexander Skarsgard as Misericordia. Who knows?
However, unlike Seasons 1 and 2, there won’t be any releases of weekly episodes for Season 3. Despite my best efforts, there are still some readers who get confused about serialization, so I’m letting that go. The Law of Diminishing Returns had kicked in, anyway, so onward to a very dramatic conclusion. A lot of people you love will die in unexpected ways. Some will live to receive surprising, wonderful rewards. I’m going to be a little sad to finish the journey with Jaimie, but it’s going to be a wild ride right to the end.