Category Archives: This Plague of Days

Cover reveal: This Plague Of Days, Season 2

This Plague of Days Season 2

Season Two hits in two weeks. Click the cover to go grab Season One.

Cover by Kit Foster of KitFosterDesign.com.


Things get paranormal. Or do they? Sentient trees and This Plague of Days

After a great cover design conference with my graphic designer, Kit Foster of KitFosterDesign.com, I was inspired to tweak a passage from Season Two of This Plague of Days.

There’s a major shift in the story and I wanted to deliver the news in a clever way. In the earlier drafts, the shift was stated a bit too baldly and too “on the nose”. Fortunately, my editor and beta readers suggested I rethink the realization to come. The answer popped into my head this afternoon when I was conspiring with Kit about the cover. What follows is a small slice from a larger hunk of beef, but I was so happy with it, I wanted to share just a little taste of  a sneak peek from This Plague of Days, Season Two:

Jaimie sat up. He awoke in the forest again. Though he’d come to this place many times, this was his first arrival at night. A cold, full moon cast shadows among white birch trunks. In stark beauty, the trees stood out in the darkness, glowing like columns of white marble.

He looked up. In sunlight, a boil of hawks always soared above the forest in slow funnels, circling, watching, waiting. Past the reaching trees, he saw nothing but indifferent stars and the infinite unknown of the chasms amongst their pale fires.

“What has changed?” he called out to the forest.

“Chiroptera.”

By the rules of the Nexus, that which is named becomes real, and so a cloud of shrieking bats crossed the lamp of the moon. Leathery wings beat the air as the colony shattered the moonlight into white strobes. The bats were so large, they cast chaotic shadows on the boy’s upturned face. Jaimie’s mirror eyes reflected scalpel claws and gleaming, tearing teeth.

~ If you aren’t on board already, check out Season One here. Season Two strikes at the end of the month. Buy This Plague of Days, Season 2 for $3.99 in the first week before it rises to $4.99. The story will be released as a series of five episodes at 99 cents each on October 9.

 


What happened to your city in This Plague of Days?

Detroit Burned

 

When I consulted one of my survival experts about the end of the world as we know it, he shocked me a bit. We were at my dining room table with a map spread out in front of us. We were tracking the Spencer family’s escape from the Midwest east in my serial, This Plague of Days.  John Badger (survival guy, geography and hiking expert) put his palm on the map, covering a good swath of the west coast of the United States.

“And, of course, under the circumstances, all these people are dead,” John said.

“What?”

“No water. When you wipe away the infrastructure, there’s no water there. Vegas? Gone. L.A.? Dead.”

“Um.”

“Yeah, it’s very vulnerable and, with the conditions you describe, they’re toast or trying to migrate out of trouble in a pretty short time.”

As the Spencers head for a farm in Maine they hope will be safe, they hear a lot of rumours about what’s happening across the world. First came the Sutr-X world flu pandemic. Then Sutr-Z laid waste to Europe and Asia. In Season 2 of This Plague of Days, the crap hits the ceiling fan in America and Canada.

I just wanted you to know, we put some serious thought into it. Some rumors you can believe. Others will conflict and first reports are always wrong. I hope you join the adventure while it’s still a vicarious thrill instead of a handbook to the apocalypse.

Have a nice day.

TPOD season 1 ecover

 


Ghost town: A new sneak peek at Season Two of This Plague of Days

His home town, Gas City, had been so named for its once plentiful reserves of natural gas. When that dried up, it was just another small town calling itself a city and on the way to ruin. When Sutr hit, it became a ghost town.

“Ghost town” was figurative, of course. Chris believed in math, not spirits. However, alone in his bed late at night, without lights or the comfort of other people, the floors creaked. The sounds that had terrified him as a little boy scared him anew.

“Water in the pipes,” his mother had told him of the far away hammering. “Just the house settling,” she said of the sound of footsteps on old floorboards at midnight. “Raccoons in the attic,” she said of the sounds of thick, scurrying feet.

Without lights, all the little boy fears returned to the man. Unseen, nocturnal animals trekked through Gas City. When Chris gazed out his windows at night, searching, shadows danced along the edges of his perception. Were those movements tricks of the eye? A cast of moon shadows? Something alive and hungry with a mouthful of jagged teeth?

Dead neighbors’ chimes trembled and sang disjointed songs of abandonment into a careless wind. In what his long-dead mother called “the witching hours”, it was easier to believe a little less in math. Alone at night in a dead town, ghosts were easier to believe in.

After a week of insomnia giving way to a couple of hours of restless sleep, Chris abandoned his house. He filled a backpack with a few necessities and moved into the Marion County Hospital. “No use wasting time and gas on the commute,” he told Deputy Hawkins. But it was the loneliness, the unidentified sounds and the ghost parade that chased him from the little house in Gas City. Working with the Deputy gave him food, water, purpose and people to talk to who weren’t blue and gray and dead.

 


Writing Against the Grain: B Movies. A Treatments and the Deceptive Familiar

I just received another happy review of Season One of This Plague of Days! (Dance of Joy ensues. Look away!)

On Writing TPOD

TPOD season 1 ecoverYou know, I made some artistic choices with TPOD that challenge the genre. For instance, the zombies don’t show up immediately. The hero is an autistic boy. I show the beginning of the crisis and how it evolves instead of waking someone up from a coma after civilization falls (a la Walking Dead and 28 Days Later.)

I’m pleased to report those gambles are paying off. (Great new reviews in the UK, too!) I’m getting extra points for doing something different. I wanted to give what some think of as a B movie idea an A treatment. I have a hero who is more in his world than ours. While things fall apart for his family, he’s obsessed with words, their meanings and roots and Latin phrases. It doesn’t sound very sexy in a submission letter to an agent, does it? However, horror fans are flexible readers who want to see something familiar made unfamiliar. To an agent, unfamiliar is not good at all. Readers are more forgiving because there are too many books out there that are clones of other books.

On Writing the Hit Man Series

When I wrote Bigger Than Jesus and Higher Than Jesus, I ran into the same…problems? Opportunities? Challenges? I have an anti-authoritarian streak so I set myself up to fail and wrote the books I wanted to read instead of what an agent might get excited about. Don’t get me wrong, there are many very well-written hardboiled books out there. However, I pushed the boundaries and conventions of the genre with Jesus Diaz. I also tell the Hit Man Series stories in present tense and in second person. (AKA Agent Repellant.)

But there’s more. I made a hit man loveable and pitiable. I love the character of Dexter, though Jesus Diaz isn’t a psychopath in the same way at all. Unlike Dexter, Jesus Diaz is crushed by his regrets and guilt. I made my anti-hero the funny hit man with Chili Palmer overtones, a horrific childhood and the gift of gab. He’s made a more complex character due to a neurosis around women. He blames circumstances for his problems, but really the poisoned root of his abuse as a child informs the character and so the story. You won’t find another hardboiled hero who is afraid of women, but Jesus really is afraid.

Mr. Diaz just tapped me on the shoulder with the muzzle of his Sig Sauer to inform me I should change that from afraid of women to “worshipful”. I told him to buzz off. Kill me and he won’t see himself in the third and fourth novels of the series. He’s sulking in the corner, pretending to play Angry Birds on my iPod.

Books and their shelves

Bigger_Than_Jesus_Cover_for_KindleBigger Than and Higher Than are unusual novels that defy convention so hard, I’m not even sure they are properly called hardboiled. Maybe they’re action adventure or, despite the childhood sexual abuse, their also damn funny. It’s a rich palette, I guess. Agents hate that in genre novels.

Some so-called experts would suggest I’m making stupid choices. Maybe so. I’m singing “I gotta be me” while yanking the wheel and steering hard toward the ditch with the blinking warning sign that reads: Obviously Non-commercial!

I felt self-conscious about those gambles. Those choices are just as much about me as anything. See, I write for me. Readers come later. Sorry, but it’s true. That’s selfish considering I’m trying to contribute to the family budget with my writing instead of sucking it dry.

And then I read Stephen King’s Joyland yesterday.

Oh my god! It’s coming-of-age and funny. It’s Summer of ’42. It’s so damn charming it doesn’t even need the murder mystery. In fact, though it has a climactic scene worthy of JoylandHitchcock, I really would have loved it just as much without the mystery and the ghost story.

Traditional publishing didn’t know what to do with Stephen King. Even though the cover is terrific, the book is packaged as if Joyland is a hardboiled mystery. I don’t think it is. I think it’s good, easy storytelling that rolls along and you’ll be sorry the ride ever stops. It’s also high literature in a cloak that could appeal to anyone no matter how it’s classified or what shelf it’s on. 

I hope you’ll feel the same about my books because no matter what I do, that defiant streak is a mile wide and made of granite and diamonds. Some things I can’t change so I hope you like the view from my ride. 

And, not for nothing, thanks for the nice reviews, folks. I’m not for everyone but when those who get it leave a happy review, I push the accelerator harder and sing louder for our little club who are in the know.

Sure, I might hit the ditch, but we’ll go down screaming and laughing and grokking what it all means in the end. Let’s all grit our teeth and dare to be what we are while we can.


This Plague of Days: The Mackinac Bridge Massacre

An excerpt from todays’ revisions of Season 2 of This Plague of Days. 

TPOD season 1 ecoverJack ordered her daughter to close her eyes, too.

“No, Mom.”

“Anna! I don’t want you to wake up screaming with nightmares tonight.”

“No,” Anna said. “I’ll look. Years from now, I’ll tell my children what I saw here.” She gazed at tangled horrors as the van bumped along over a sprawl of bodies. The uncaring Sutr Virus had not done this. People had done this to other people.

Many of those murdered had no eyes now, but their gaping jaws suggested anger, fear, pain and surprise. Anna saw torn flesh. White bones rose. Skeletons emerged from their hiding places. 

“If I don’t look…” Anna said, “it’s not right. Someone has to bear witness. If I don’t look, it’s like saying this doesn’t matter or it means I won’t be around later to pass it on. Someday soon, the animals will finish eating and what will be left but me and my memory? Not looking is like…”

“Giving up,” Theo said. “Yes. Look, Anna! It’s a heavy load, but someone who can tell the story should carry the memory.” 

 

Season 2 arrives this fall. You can get Season 1 now by clicking the cover. The revisions are going well, but I’m adding a lot of new material as well. Season 2 is packed with action.

 


Why Zombies? For the brains.

TPOD season 1 ecoverA couple of people have contacted me to say, “What’s with the zombies? I don’t get the attraction!” That looks like a delicious can of worms. Let’s eat that.

I replied with something diplomatic like, “Well, you know, not everything’s for everybody and that’s cool but by the way, I make it fresh!”

But really, first off, how weird is that?

Is there any other profession where someone who doesn’t use your product or service goes out of their way to say, “I hate that”? I don’t like the smell of the acrylic nail salon at the mall, but I don’t rush in there to tell them “I don’t get it. Why would you do that?” Likewise, hard core military fiction? Not for me. Unicorns? Not for me. However, I don’t contact the authors looking for…well, I’m not sure what they were looking for exactly. Justification? An apology?

Second, my zombie apocalypse isn’t about zombies. 

Good science fiction doesn’t teach you how to build a warp engine. I’ve tried to read some amateurish stuff that goes deep in the weeds of world-building and it has all the allure of a technical manual. (Which is a snarky way of saying it’s not for me, I guess, but at least I’m not chasing down those writers on Twitter and Facebook to say, “I don’t get it. Why would you do that?”) 

My rule is Follow the Art. I wrote a story with zombies because that’s where Art took me.

Horror isn’t about the monsters.

Horror is about how we react to the monsters. In This Plague of Days, I take a family from the heartland of America and put them in peril. First it’s a plague (no zombies) because I wanted to show what a lot of dystopian books don’t show. I wanted to show how things fall apart instead of starting the story after the fall. As the conflicts escalate (especially in Season Two) faithful readers will come to understand why things happened the way they did in Season One. This is a big story with long arcs, secrets  and big payoffs down the road. If I wanted to write a short story, the action would come in a smaller box. This is a big gift box.

Much of the horror doesn’t come from the infected.

Throughout This Plague of Days, everyone’s scared. Scared people, even heroes, make bad choices. As the zombie action evolves in Britain (and hits American shores in Season Two), that midwestern family in suburbia faces danger not just from the world flu pandemic, but from other survivors. In short, people are shitty to each other. They’re selfish. And sometimes they surprise us by being decent. There is room for nuance and, by the way, no villain thinks he’s a villain. Even when I daydream of drowning haters in an acid bath, I think I’m righteous, for instance.

People are more interesting than monsters.

Monsters don’t have choices. They’re following their needs, instincts and natures. But when people do bad things? They’re choosing evil. Family dynamics under pressure in the Centrifuge of Death and Global Disaster is much more interesting than drooling, shuffling dead lunkheads. 

My zombies aren’t “true” rise-from-the-grave zombies.

My zombies are really people infected with a virus of the 28 Days Later variety. They’re fast and they’re getting smarter and more organized. I even make jokes about  zombie movies where the tropes don’t bear examination. I’m telling a tale of Good versus Evil where most people are conflicted about the battle. Don’t assume it’s dumb because the z-word is attached.

Some people make rise-from-the-grave stuff work great, too. I’ve read plenty of smart horror. If you haven’t, maybe you need to read more, not less.

It didn’t even have to be zombies.

To me, the place of zombies in This Plague of Days, is as a force of nature. A world flu pandemic is a force of nature and the family deals with that first. The Brits in Season One run from the infected cannibals in the same way we’d run from packs of rabid dogs. If you’ve ever seen the movie The Ghost and the Darkness (two real life rogue lions who got a taste for humans and went on a killing spree) that’s my take on zombies. 

Ultimately, Zombies R US.

When the story is done, themes and larger metaphors emerge. Amid rising action, hard choices and people you care about in trouble, This Plague of Days raises questions about the natures of God, Mankind, sacrifice and whether we’re worth sacrifice. Everyone reads a book through their own lens and will take away what they will. I think this is fiction that is very rich soil to till. It’s no coincidence that Jaimie Spencer’s on the autistic spectrum and his special interest is words and their meanings. This Plague of Days is about our meaning.

So, if you have any doubts about the value of zombies in particular or horror writing in general, there’s my justification.

The defence rests. No damn apologies.

Now, let’s eat another can of worms and follow the links to a discussion about the place of religion in horror.

 


#Free #ebook: An #autistic hero faces the end of the world

As of 2:30 pm, here’s the Amazon ranking #23 in Dystopian and #29 Post-Apocalyptic!

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UPDATE: 

3:30 PM: #1 in Post-Apocalyptic and #2 in Dystopian!

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Push it higher on Amazon’s main list with a happy click and get Episode One free now. You’re going to love it!

This Plague of Days, Episode One

is free on Amazon until midnight tomorrow night.

Do you enjoy reading:

  • a book that allows you to see the world in a new way?
  • apocalyptic scenaria where the fate of God and humankind are debated?
  • Latin phrases and wordplay?
  • international thrillers with weird and scary terrorists?
  • zombies unlike what you’ve come to expect?
  • tension that crawls up your spine and into your brain?
  • about a sweet, innocent autistic boy who rarely speaks but has hidden talents that might save the world?

If any of that appeals to you as a horror reader, click the cover below and get on board the braingasm train.

Still not sure you want that first crunchy, salty potato chip? Then get more details here.

The Zombie Apocalypse serial is here. Get 5 episodes at 99 cents each or the whole Season for $3.99. Season Two hits the world at the end of September.

The Zombie Apocalypse serial is here. Get 5 episodes at 99 cents each or the whole Season for $3.99. Season Two hits the world at the end of September.

~ Robert Chazz Chute is a novelist, podcaster and former newspaper and magazine journalist. This Plague of Days is his ninth book. See all his books here.


My Dic Pic (with apologies to Anthony Weiner)

My dic pic is huge!

Jaimie Spencer’s dictionary from This Plague of Days is real. If you’re reading my apocalyptic serial, you know that Jaimie has a dictionary obsession. That’s an obsession that, conveniently, I share with my young, autistic friend.  I have slang dictionaries, rhyming dictionaries, quotation dictionaries and dictionaries about poisons, fables, mythology, imaginary places, Latin, Spanish, French, Modern Thought and more.

Yes, I use online dictionaries sometimes, but I’m one of those people who browse from one word to the next and get lost in discovery. I love to find something I didn’t know I was looking for. That’s why the main dictionary I use for This Plague of Days is the one pictured.

Of all my dictionaries, this one is special. I picked up this dictionary at a yard sale. It was falling apart so I duct taped the binding. It’s the unabridged Webster’s Twentieth Century Edition from 1939 (original edition 1904). It’s packed full of words no one uses anymore. And just like Jaimie Spencer, I can get lost in it for hours. It’s the one book that contains all the others.

Some read This Plague of Days because they love zombies, twisty suspense and autistic heroes. People who are word nerds grok it, too.

If you’ve read any of the episodes or the complete first season, please do leave a review on Amazon.

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This Plague of Days: Free Ebooks, Prizes and The Waking Terrors

From tonight’s revisions of This Plague of Days, Season 2:

Dayo kept the girls quiet. She’d thought it would be an impossible task, but one look out the window had been enough for the girls to retreat to their pillow fort beneath the dining room table. Mostly, they slept. They slept not to rest more, but to escape the waking terrors. When they did not sleep, Aasa and Aastha held each other’s hands and whispered quietly.

It was Sinjin-Smythe who gave them away. 

Prizes for friends and allies

Today, I had a little email meeting with my graphic designer, Kit Foster of KitFosterDesign.com. As we gear up for the launch of Season Two, we have many great things in the works: t-shirts, raffles and prizes aplenty. There will even be…wait for it…free ebooks for people who help promote the serial.  

There are rewards for helping out.

To find out how to get a free ebook, click here.

Are you a book blogger looking for a review copy of This Plague of Days?

Let me know at

expartepress [AT] gmail [DOT] com

Thanks for checking out This Plague of Days by Robert Chazz Chute

Season One is huge.

Season Two is going to blow the back doors off your barn full of zombies.